Why not use the reality distorting ray to make iShiny and leave FCP with a small support team for the professionals to use while they transition their workflow.
I know! I don't really understand it -- unless it was somehow more expensive to do that.
Like you say, there's been a certain cachet in using the tool used by the pros (Walter Murch!). I wonder if I'll have to change my vidding icon...
Interestingly, we just upgraded our Adobe package at work and will now have Premiere and After Effects, so I will finally get to try those out (in a professional capacity). I have been snubbing Premiere for a decade now -- I used it on a Mac back when it was version 1.5 -- but it might be time to take another look.
Meanwhile, I'll continue using Final Cut Studio 2 until it dies. At least I can put markers on the timeline. (:
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I know! I don't really understand it -- unless it was somehow more expensive to do that.
Like you say, there's been a certain cachet in using the tool used by the pros (Walter Murch!). I wonder if I'll have to change my vidding icon...
Interestingly, we just upgraded our Adobe package at work and will now have Premiere and After Effects, so I will finally get to try those out (in a professional capacity). I have been snubbing Premiere for a decade now -- I used it on a Mac back when it was version 1.5 -- but it might be time to take another look.
Meanwhile, I'll continue using Final Cut Studio 2 until it dies. At least I can put markers on the timeline. (: